In this week’s entry of Roland’s pick for Metal Album of the Week series, I wanted to highlight an album that completely caught me off guard:
Album: “Rien ne Suffit”
Band: Plebeian Grandstand
They hail from the southern French city of Toulouse, and they’re worthy of your attention.
Read on to learn more!
Anyone who knows me personally knows how much I love this band. In fact, I have a borderline unhealthy obsession with their two previous albums: “Lowgazers” and “False Highs, True Lows” (If you know, you know!)
They have a remarkable ability to write dissonant riffs that somehow sound both unsettling and strangely melodic. Their songs are chaotic yet purposeful, and they keep me engaged no matter how many times I revisit them.
Needless to say, Plebeian Grandstand checks almost every box for me when it comes to extreme metal. Harsh, dissonant riffs that feel intentional rather than random.
Fast and aggressive blast beats. Completely deranged vocals. And, for some reason, they always seem to nail their outros.
Then came “Rien ne Suffit”. At first, I was excited. Then I was disappointed.
I simply didn’t get it.
It wasn’t what I expected from Plebeian Grandstand, and after a few listens I more or less wrote it off.
For nearly two years, I didn’t return to it.
Recently, however, I decided to give the album another chance, and I’m very glad I did!
What a difference a little time and a fresh perspective can make.
After several listens, everything finally started to click. The album’s unconventional song structures, industrial textures, and atmospheric layers started to make sense within the context of the band’s vision.
Instead of viewing those elements as a departure from what I loved about their earlier material, I began to hear them as an evolution of it.
The result is an album that remains harsh, relentless, and emotionally intense, while exploring new sonic territory. The dissonance is still there. The aggression is still there. The unsettling atmosphere is still there. It’s just presented in a different way.
The industrial influences and experimental approach definitely took some time for me to appreciate. They’re not the kind of elements that reveal themselves on a casual first listen. This is very much an album that rewards patience.
And once it clicked, it clicked hard.
“Rien ne Suffit” has been in constant rotation for me over the last few weeks, and I find myself discovering new details every time I return to it. As a bonus, I also love that all of the song titles are in French. As someone currently studying the language, that little detail makes the experience even more enjoyable.
As far as production notes go, this band has always had FANTASTIC production. I still see their aforementioned albums as one of the beacons of great extreme metal production that doesn’t sound sterile. When it comes to “Rien ne Suffit”, that is still the case. However, the mastering engineer bran in me noticed that this album is a little darker in the overall EQ balance than the previous two. Interesting little detail, that I imagine was intentional.
If you’re looking for an album that combines crushing heaviness, oddly melodic dissonance, demented vocals, and relentless blasting, I highly recommend giving “Rien ne Suffit” a chance.
Just don’t be surprised if it doesn’t fully connect on the first listen.
It certainly didn’t for me.
But if you give it time, you may find yourself as hooked as I am now.
Favourite Track: “Angle Mort”
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